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MEETINGS AROUND THE SHOW

Around Re Lear è morto a Mosca

Culture in dictatorial regimes:
Between propaganda and free art

1948
January 13, Minsk. A van hits and kills Solomon Michoels: a wristwatch stopped at 10 p.m., two daughters and a wife remain of him.
Night between December 23 and 24, Moscow. Venjamin Zuskin is abducted in his sleep, interrogated, tortured and four years later shot. Moscow’s great Jewish Theater, the Goset, loses Lear and his Fool. The first and only King Lear in Yiddish will never be staged again. The instigator of these murders is Iosif Stalin. Solomon Michoels and Venjamin Zuskin:
two Jewish actors, two friends, convicted of flying too high. Guilty of having imagined an art theater of song, dance, poetry and color in the Yiddish language in Stalin’s Soviet Union.
A trip to Russia to tell a now-forgotten true story, through Chagall’s paintings and the characters of King Lear.
A show of memories to be rediscovered, kept beyond the stage.

“Put out the lights and blow the pain; the curtain closes.”

Playbill

dramaturgy César Brie and Leonardo Ceccanti,
with the collaboration of the entire ensemble

directed César Brie

creator actors Altea Bonatesta, César Brie, Leonardo Ceccanti, Eugeniu Cornitel, Davide De Togni, Anna Vittoria Ferri, Michelangelo Nervosi, Tommaso Pioli, Annalesi Secco, Laura Taddeo 

body work Vera Dalla Pasqua and Alessandro Treccani
scenography ensemble
costumes Matteo Corsi
lighting César Brie and ensemble
music Pablo Brie and traditional Yiddish music
historical consulting Antonio Attisani

a co-production Theater Island, Theatre Camp e Elf Theatre

“Theatrical Mass 2023” Award Winner

Duration 1 hour and 40 minutes without intermission